On Sister ID --Develop the hyperreal investigation of shot-reaction-shot further.. somehow I see this as connected to Latex Shimmy... part of the same piece perhaps...
Latex Shimmy
Working with latex masks made of each of the performers faces. interchanging a drama, switching masks as strange voice overs call for... masks are removed and put on, sometimes rapidly to meet and occupy a position -- to keep in rhythm with the weird voice over determining the back and forth.. Set is key. as is sound. Perhaps all grey set, all grey suits and dresses..... perhaps newspaper walls, mixed with Ikea deconstructed....in the interchanges, working with barely perceptible changes and small displacements, yet at moments, speeds up almost without reason, or rather without a logic that we can grasp entirely, yet with a definite order... almost a purely non-vocal performance. sounds of radio and wind are heard. masks constantly switched yet they are often the same.
Constructed out of improvisations. Involving sometimes barely noticeable changes. yet which have specific consequences.
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excerpt from Sister ID work in progress (march 2009)
Latex Shimmy
Working with latex masks made of each of the performers faces. interchanging a drama, switching masks as strange voice overs call for... masks are removed and put on, sometimes rapidly to meet and occupy a position -- to keep in rhythm with the weird voice over determining the back and forth.. Set is key. as is sound. Perhaps all grey set, all grey suits and dresses..... perhaps newspaper walls, mixed with Ikea deconstructed....in the interchanges, working with barely perceptible changes and small displacements, yet at moments, speeds up almost without reason, or rather without a logic that we can grasp entirely, yet with a definite order... almost a purely non-vocal performance. sounds of radio and wind are heard. masks constantly switched yet they are often the same.
Constructed out of improvisations. Involving sometimes barely noticeable changes. yet which have specific consequences.
********
excerpt from Sister ID work in progress (march 2009)
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